The Dutch win the prize for most disturbing Christmas song, 1978’s Flappie by Youp van ‘t Hek.
The Portsmouth Sinfonia was founded on one simple principle: why leave orchestras to the professionals?
Steve Reich’s piece Piano Phase involves two pianos playing the same melody simultaneously at slightly different speeds.
In 1324, Pope John XXII issued a papal bull condemning the excesses of modern popular music.
Slim Gaillard had one of the more remarkable lives of the 20th century: when he wasn’t inventing words or writing songs about cement mixers he was jamming with Charlie Parker, running bootlegged whiskey in a hearse, or wowing Jack Kerouac in On the Road.
The Parents Music Resource Center was formed to fight obscenity in popular music. The parental warning labels were their doing. Musician and notorious non-conformist Frank Zappa fought back the only way he could: with music.
In 1922 violinist Lev Tseitlin founded an orchestra according to Soviet principles of collective responsibility: it had no conductor.
King Gustav III of Sweden was warned of assassins at his masquerade ball. He went anyway.
The hymn Amazing Grace was set to its current tune more than fifty years after it was written. Because it was written in common metre, it can also be sung to Mack the Knife, Sympathy for the Devil, the Pokemon theme, and the Gilligan’s Island theme.
What does an American accent sound like to an Italian? The Italian song Prisencolinensinainciusol will show you.
Clicks are used in several languages of southern and eastern Africa, most famously in Xhosa. The sounds make Xhosa songs and tongue twisters sound amazing.
The Epic of Sundiata, describing the rise of the first ruler of the Mali Empire, was passed down by griots – West African bards – for over six hundred years before it was written down.
Mickey Mouse’s first words were spoken not by Walt Disney but by Carl Stalling, who went on to compose 22 years’ worth of soundtracks for Warner Bros’ Looney Tunes and Merrie Melodies cartoons.
Hey, let’s turn a grand piano on its side and play it like a violin! Sure, why not?
Jacques Brel, the famed Belgian singer, began some songs slowly and then sped up. A lot.